Which sculpture by Michelangelo represents the ideal human form in Renaissance art?

The sculpture that represents the ideal human form in Renaissance art is David. Created between 1501 and 1504, Michelangelo's David embodies the Renaissance ideals of beauty, proportion, and the celebration of the human body. This work exemplifies the anatomical precision and the contrapposto stance that became hallmarks of classical sculpture and later Renaissance art.

David is not just a biblical figure; he is depicted in a moment of intense concentration and poised for action, showcasing physical perfection as well as emotional depth. The attention to detail in the musculature and the face conveys a sense of vitality and life that was highly esteemed during the Renaissance. By drawing from classical influences and merging them with contemporary themes and a deep understanding of human anatomy, Michelangelo’s David stands as a quintessential representation of the Renaissance's focus on humanism and the idealized human form.

The other sculptures, while impressive in their own right, do not encapsulate the same attributes of idealism and physical representation found in David. The Pietà, for instance, focuses more on emotional expression rather than the portrayal of the ideal human physique, and the Rondanini Pietà is characterized by its unfinished quality and spiritual emphasis. Similarly, the Commissioned Madonna would lean towards different thematic